Research
RECENT RESEARCH
The 1697 Project: Unraveling a Mystery Surrounding a Set of Patchwork Blocks
This award winning thesis from the University of Rhode Island discusses a grouping of disarticulated patchwork blocks, once belonging to a coverlet, that were accessioned into Historic Textile and Costume Collection (HTCC) in 2019. The coverlet was assumed to have been created in 1697 in British North America, making it the oldest firmly dated patchwork currently known to exist and placing this art form in the European colonies fifty years earlier than previously documented. However, because the blocks were disarticulated with companion pieces spread between numerous collections, it was crucial to analyze the blocks in depth to understand if this origin story was correct or had been manufactured later to increase its economic and social value.
The 1697 Project utilized a material culture methodology involving a two-pronged approach. First, observable data was collected, establishing a detailed physical description of the patchwork as it currently exists, then compared to extant samples originating from the seventeenth century. Second, the objects’ provenance was reconstructed from documentary evidence and combined with interviews of object stewards to establish where the coverlet was produced. Results confirmed that the patchwork is the oldest firmly dated example but originated in England rather than British North America, demonstrating how narrative construction impacts our understanding of patchwork history.


PAST RESEARCH
American Indian Painters of Oklahoma: Artistic Negotiation in the Twentieth Century
This work discusses the emergence of easel painting as an art form in Oklahoma American Indian communities and the commoditization of American Indian art during the twentieth century. The lives and art of five Muscogee Creek painters working during the twentieth century, Acee Blue Eagle, Solomon McCombs, Fred Beaver, Joan Hill and Enoch Kelly Haney, are documented and discussed. Through examination of each artist’s works, their personal biographies and changes in their artistic style, this research demonstrates the multiple ways in which artists respond to fluctuations within the market for American Indian art.